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fracturamods) wrote in ![[community profile]](https://www.dreamwidth.org/img/silk/identity/community.png)
fracturarpg2019-12-01 08:05 am
fracturamods) wrote in fracturarpg2019-12-01 08:05 am
Entry tags:
intro log.
welcome mingle
( AND SO IT BEGINS. )
There's nothing but the clatter of train tracks, and the odd feeling of almost floating.
When you wake, it's hard to tell exactly what it is that you're missing - only that you are. There are pieces that aren't quite right, even if you're not sure where those pieces would normally be. Pieces of what, exactly....? Well, if you had to put a word to it, it would be - yourself, probably.
The place you've found yourself in is strange, certainly. It's probably worth exploring a bit. Though it just as easily seems that the only form of welcome or explanation that you have, comes from nothing more than a slab of marble.
Well - that, and all the people who seem to have woken up alongside you, lost and also probably Doing Their Best™.
There's no need to fret that much though. It's hard to say exactly where you're going next, even though some places might feel a little bit more like a clue, but what you do know is one unshakeable thing:
There's still much more ahead of you.
When you wake, it's hard to tell exactly what it is that you're missing - only that you are. There are pieces that aren't quite right, even if you're not sure where those pieces would normally be. Pieces of what, exactly....? Well, if you had to put a word to it, it would be - yourself, probably.
The place you've found yourself in is strange, certainly. It's probably worth exploring a bit. Though it just as easily seems that the only form of welcome or explanation that you have, comes from nothing more than a slab of marble.
Well - that, and all the people who seem to have woken up alongside you, lost and also probably Doing Their Best™.
There's no need to fret that much though. It's hard to say exactly where you're going next, even though some places might feel a little bit more like a clue, but what you do know is one unshakeable thing:
There's still much more ahead of you.
no subject
[He frowns, but it's more thoughtful than suspicious or unhappy.]
Weird dream stuff, I think. I mean, I could tell you, but it would probably take a while and involve a lot of background you probably don't know, which... Actually, come to think of it, are you from the school? I don't think I've seen you around before.
no subject
Yep. Yeah!
[ TO WHICH PART who knows. it's just all of it in general. ]
I got lotsa time, but, like, maybe you can give me it in brief? Liiiiiiiike... The last five minutes!
no subject
[Also, almost as an afterthought:]
Okay, but what were you scheming, exactly? Good things or bad things?
no subject
Good things.
[ Yeah. Definitely good things. That should be the correct answer in a situation like this. ]
Anyways!! If I don't get the last five minutes, we'll just back up a bit and you can tell me the five minutes before that! Sooner or later, we'll make our way through the whole story~
no subject
[He's going to take that at face value, even if he looks uncertain. Anyways! Here he goes.]
Right. Last five minutes. Uh, I think I was still dreaming, I was walking through all these guys in hoods and robes and someone gave me a melon... [It never ends.] And then I woke up, then I fell asleep again, and I was in a library, and there was all this Latin poetry, and the books kept changing.
no subject
[ It's not rewinding back five more minutes, so these sorts of questions should be fine, he thinks. Got to get all the important details straight. ]
no subject
[He sounds like he isn't sure either.]
no subject
[ Important details. ]
no subject
[Dream logic, and all that. But!]
Isn't it your turn? I mean, you talked about the whole scheming thing, but I feel like I'm going into a significant amount of detail on my five minutes.
no subject
[ Admitting to schemes should be worth at least half an hour of story time, in his opinion. ]
no subject
Yeah, sure, I'll wait. What else do you want to know, though?
no subject
[ He gestures with his hands, setting them apart and ranging from a tennis ball to a beach ball. ]
How big was it? Was it really heavy— was it sloshy? Or, like, did it feel hollow? What was the texture of the rind?
no subject
Wait, you only have questions about the melon? I kind of thought you would ask about the situation overall...
no subject
[ It was the first thing he mentioned, hoping people don't hand him another melon. It's definitely important. Kano can feel it in his bones. ]
Or, what do you think is the most important part?
no subject
[A beat.]
I guess the melon was cool, too, though.
no subject
[ He is trying very hard to find common ground here. He understands melons. He fixated on the one point he could actually follow. ]